by Erica Noboa From the October 2015 IssueHayao Miyazaki is a seasoned veteran when it comes to creating visual masterpieces that explore the innocence and flourishing imagination that only children can posses. Those fortunate enough to grow up watching Studio Ghibli films, ranging from the light-hearted Kiki’s Delivery Service (1989) to the war-ridden Princess Mononoke … Continue reading
Pitch Perfect vs. Pitch Perfect 2
by Tori Adams From the October 2015 IssuePitch Perfect (Jason Moore, 2012) By 2012, we had all just begun to cover up our unexplainable obsession with the a capella drama that became a sensation on Glee. Then Pitch Perfect debuted. It was a college centered comedy about an a capella group forced to leave their … Continue reading
Times Square
by Joel Kalow From the October 2015 IssueAbout twenty-five minutes into Times Square, the two leads break out of a mental institute, steal an ambulance, and take an abandoned warehouse as their new home. Few films have ever so gleefully thrust viewers into the cesspool that forms the setting of Times Square: the cheap neon … Continue reading
The Evil Dead
by Kevin Fermini From the October 2015 IssueOctober 31st marks an important date in the lives of horror movie buffs, as Ash vs. Evil Dead — Sam Raimi’s long-awaited fourth installment in the Evil Dead series — finally hits television screens. Raimi’s cult classic trilogy, The Evil Dead, Evil Dead II and Army of Darkness … Continue reading
Batman Begins
by Will Erickson & Casey Simonson From the October 2015 IssueCASEY: With Zack Snyder’s Batman v. Superman on the way in just a few months, I found it fitting to revisit one of my least favorite superhero movies of recent years – Christopher Nolan’s Batman Begins – hoping that perhaps I wouldn’t hate it nearly … Continue reading
The Scariest Films We’ve Ever Seen
Just as with comedy, the effect of horror is unique for every movie-goer. The same image that makes you yawn might very well have traumatized your friend for life. From masked slashers and hulking monsters to pale ghouls and the exaggerated surreality of a troubled mind, almost everyone seems to have that one thing that … Continue reading
Black Mass
by Justin Madore From the October 2015 IssueBlack Mass is such a frustrating way to begin the fall movie slate. All the trappings of a great film are there. Interesting premise? Check. Great cast? Check. Great director? Check. While completely competent in its own right, it simultaneously struggles to be anything more than that. While … Continue reading
Tyler Macri ’18
From the October 2015 Issue It is the duty of the filmmaker to be the assembler and captain of a boat of sorts. Once the ship is built and an audience has climbed aboard, it is up to the filmmaker—a lantern in one hand and an oar in the other—to bring the ship to new … Continue reading
Sicario
by Justin MadoreKate Macer (Emily Blunt), leads a team of FBI agents through a neighborhood into an Arizona house against the backdrop of a dry desert landscape. A tank blows in the wall, exposing two kidnappers armed to the teeth with weapons. They’re taken out, and Kate’s team moves into the next room to reveal … Continue reading
Crimson Peak
by Justin Madore“Beware of Crimson Peak,” says the ghost haunting young Edith Cushing (Mia Wasikowska). This mysterious warning recedes into her memory, but she never quite forgets. As an aspiring writer, she pens a novel featuring ghosts to submit to a journal. Her father — as well as several publishers — warns her against it. … Continue reading