By Jackson Diianni The first thing one notices about Dogville (2003) is the way it looks. It’s essentially a stage play, shot in a blackbox, on a minimalist set. This presentation style is new to film, but it is borrowed from the theater, which can be said of the film’s content as well. Dogville is … Continue reading
By Jackson Diianni I had high expectations for The Pledge (2001). It was placed on Roger Ebert’s Great Movies list, effectively naming it one of the 300 (give or take) greatest movies of all time. It’s one of a handful of movies Jack Nicholson has made in the 21st Century, which lead me to believe … Continue reading
By Jackson Diianni Raging Bull (1980) is a movie I’m very ambivalent about. There are great things about it and there are terrible things about it. The script by Mardik Martin and Paul Schrader is great. The direction by Martin Scorsese is not great. Neither is the performance by Robert De Niro, although it is … Continue reading
By Jake Triola There’s a man and a woman, and they commit a crime, and they run off, and they’re chased, and it’s exciting, and it’s fun, and it’s a race, and it drifts, and it’s cool, and it’s miserable, and it’s dangerous, and it’s classic. Who’s heard this? Fritz Lang, Luchino Visconti, Joseph H. … Continue reading
By Jackson Diianni Forget horror movies. Clean, Shaven (1993) is the scariest movie you’ll ever see. This is the debut film of Lodge Kerrigan, who directed and produced it. The plot follows two characters; a schizophrenic and a policeman. The policeman is tasked with tracking the schizophrenic, who has escaped from a mental institution and … Continue reading
By Jackson Diianni The Wrestler (2008) immerses us in the life of Randy “the Ram” Robinson (Mickey Rourke), an aging ex-professional wrestler who has fallen on hard times. Randy seems to have lost the ability to regulate what is healthy for him and he struggles to maintain a meaningful relationship with anyone in his life. … Continue reading
By Jake Triola John Cassavetes is a filmmaker whose influence is undeniable, not only in the way he “made” movies (as in the ways they were constructed and the methodologies he employed) but in the way he made them. He just made them, and he kept doing so. Over and over. No distribution? No big … Continue reading
