By Jake Triola Not much more can be said about the “aching lushness” of Paweł Pawlikowski’s latest film. I won’t make comparisons to Casablanca (1942). They’re valid, but clearly not the essence of what the filmmaker is going for. But who can really know the intentions of any artist, and why does it matter once … Continue reading
Category Archives: Review
The Lego Movie 2: The Second Part
By Brendan McMahan Everything is still awesome. The LEGO Movie 2: The Second Part (2019), directed by Mike Mitchell, is emerging as a witty, moving, and solidly entertaining sequel to the beloved first installment. The film picks up five years after the events of The LEGO Movie (2014). The audience has been let in on … Continue reading
Serenity
By Stephen Shea Serenity (2019) is the latest film from director Steven Knight, the director of Locke (2013) and creator of Peaky Blinders. Serenity follows Matthew McConaughey as Dill, a fisherman with a storied past hiding out in a small fishing town on an isolated island. Dill is quickly approached by his ex-wife played by Anne … Continue reading
Before Midnight
By Jackson Diianni Richard Linklater is a rule-breaker. I knew that going into Before Midnight (2014), so I should have kept an open mind. I was expecting it to be like its predecessors, and even though it follows the same formula (wandering, dialogue-driven romance), it deviates wildly in tone. The rule of threes would dictate … Continue reading
Creed II
By Tony Di Nizo Rocky is one of the most beloved and famous franchises in movie history. After retiring in 2006 with the film Rocky Balboa, Ryan Coogler brought the series back to life with 2015’s Creed. The film successfully re-energized the franchise by shifting focus to the son of Rocky’s enemy-turned-friend, Apollo Creed. Now … Continue reading
Overlord
By Joel Liss When Overlord (2018) was first announced by JJ Abrams’ Bad Robot production company, many theorized that, like The Cellar (1989) and God Particle before, it would eventually be revealed to be an installment in the company’s flagship Cloverfield franchise. This wasn’t an unreasonable assumption. Since Matt Reeve’s surprise blockbuster in 2008, every … Continue reading
Halloween
By Jon Mendelsohn Franchises are a funny thing. If a movie has a legacy, It really doesn’t matter whether a new take on a classic story is necessary. Hollywood will make a sequel every ten years if it’s guaranteed to make bank. That’s why I was skeptical when I first heard about Halloween (2018). Is … Continue reading
The Prisoner of Azkaban
By Jake Triola As we approach both the release of the second of five—yes, five—Fantastic Beasts films, as well as the release of Alfonso Cuarón’s Roma, which has dazzled the festival circuit, taking the Golden Lion at the Venice Film Festival, it seems like the right moment to revisit Harry Potter and the Prisoner of … Continue reading
Two English Girls
By Jake Triola If ever there were a filmmaker obsessed with the relationship between film and literature, it’s François Truffaut, who is noted as saying “three films a day, three books a week, and records of great music would be enough to make me happy to the day I die.” A constant reader throughout his … Continue reading
Django Unchained
By Jackson Diianni Django Unchained (2012) gives us a superhero in place of a slave. It’s a film that mocks racism, slavery and white supremacy in the most masturbatory way possible. The point is that people can go to the movies and see Jamie Foxx kicking a slave-owner’s ass, or see the KKK fumbling with … Continue reading